Racism In Animated Films Essay -- Movies Film Disney

Racism in Animated Films dapple Disney ethereal films are the ideal family plastic films, it is undisclosed to many that such racial discrimination is being portrayed. Rarely do we ask about the origins and intentions of the messages we encounter done mass media sometimes we forget that producers have origins or intentions at all(a)(prenominal) (Lipsitz 5). The social inequality found in such popular assimilation can be due to several reasons. According to David Croteau and William Hoynes in racial Crossroads, media content can be the springion of producers, audience preference, or lodge in general (Croteau and Hoynes 352). In their films or other such media, producers much reflect on personal experiences. In other words, they may play on their own family lives for story inspiration (Croteau and Hoynes 352). With the majority of producers being white manlys, especially when films were first being made and even up to this day, films reflect how they view life. The c reators of popular culture see themselves merely creating signs and symbols appropriate to their audiences and to themselves (Lipsitz 13). Disney producers precisely reflect their own views on life in some path or the views of the majority which so happens to be the White race. The white triumph we find in the media is not reality, nor is the portrayal of various races. For the bulk of Disneys animated films, if minorities are not the villains or those of lower class and perhaps little importance, there are none being represented in the movie at all. It is classic for the hero to be a white male whereas other characters such as evil villains are of a minority race. In the happy ever after movies where the princess in distress is save by the handsome strong prince or male figure... ... In so saying, it is very possible for animated films to contribute to the racism lingering dormant in the world today. The segregation of people is never going to final stage completely when film producers find it necessary to separate races instead of treating all as equals. When producers depict reality, the idea of White supremacy and race separation, I assume, will diminish greatly. Works CitedCox, Starr. Deconstructing the Mouse Disney and Racism. . 19 November 2005.Croteau, David, and William Hoynes. Social disagreement and Media Representation. Racial Crossroads. Ed. Yolanda Flores Niemann. Dubuque Prentice Hall, 2005 349-379.Lipsitz, George. Popular Culture This Aint No Sideshow. Minneapolis Universityof Minnesota express 3-20.Maio, Kathy. Women, Race & Culture in Disneys movies. The New Internationalist. . 19 June 1999.